Glass bars with real reactivity
The EQ bars inside the plate read the spectrum band by band. Verses cruise low, kicks slam the bass columns, and the plate itself swells with the low end. In silence the poster settles flat.
A two-ink risograph print poster: your cover on grained paper behind frosted-glass EQ bars, framed by bold editorial type.
Halftone is a music visualizer that stages your release as a screenprinted poster: the cover sits sharp on a warm, grained paper plate while bottom-anchored frosted-glass equalizer bars rise inside it, each bar a true backdrop-blur pane of your own artwork, with frost tint, edge lighting, and a hairline rim. Around the plate, Swiss editorial furniture (kicker, rule, a towering title, and your artist name) makes every frame read like a printed release announcement.
It moves like a print come alive. The bars ride our validated linear-bar reactivity (bass on the left, treble on the right, kicks hitting the ceiling), while the whole plate breathes gently with the low end and a spot-ink bloom flares behind it on beats. With Auto ink on, the two riso inks are extracted straight from your cover, so the poster is palette-locked to your release.
The EQ bars inside the plate read the spectrum band by band. Verses cruise low, kicks slam the bass columns, and the plate itself swells with the low end. In silence the poster settles flat.
The cover fills the plate sharp, and every glass bar reveals a blurred copy of the same art: a true frosted-backdrop effect. Auto ink pulls the two riso ink colors from your cover.
Kicker, rule, oversized title, and artist name are laid out on a per-format grid, grained paper and print furniture included, like a poster off the riso.
Grain tile, duotone inks, and glass bars in the studio preview are byte-identical to the renderer, so what you tune is exactly what exports.