Spectrum-true, mirrored wave
Each side of the wave reads the same 64-point slice of your track's spectrum. Bass lands at the outer edges, melody flows in toward the artwork, and both lobes stay perfectly symmetric.
A hushed now-playing card: your cover floats at the center while one thin symmetric wave breathes on either side of it.
Hush is the quiet music visualizer. Your artwork sits calm at the center of the frame with the track and artist names beneath it, and a single slim waveform flows out through both sides, perfectly mirrored left and right, bass swelling at the outer edges, melody rippling in toward the cover. Nothing shouts; the whole card reads like a late-night now-playing screen.
The wave is driven by the real spectrum of your song, roughly 60 Hz to 3.3 kHz mapped along each lobe, with a fast attack on hits, a musical decay, a loudness envelope that lets choruses swell, and a bass punch at the outer ends. A silence gate settles it to a thin resting line between phrases, so quiet moments actually look quiet.
Each side of the wave reads the same 64-point slice of your track's spectrum. Bass lands at the outer edges, melody flows in toward the artwork, and both lobes stay perfectly symmetric.
Your cover is the anchor of the composition, floating over a solid color, an atmosphere wash, or a blurred copy of itself. The frame is built around your release.
A soft silence gate eases the wave down to a thin resting line when the music drops out, so intros, breakdowns, and outros stay calm instead of faking motion.
Export in 16:9, 9:16, or 1:1, and the studio preview replays the renderer's exact per-frame analysis, so what you tune is what you get.