A clock that feels the kick
The big elapsed readout scales up a touch on every kick, a quick nudge that eases back and relaxes between hits. Quiet passages read still and composed.
Your track as an editorial cover: a huge white timecode counting up over your dimmed artwork, with a thin progress line marking every second.
Typographic Time is a music visualizer that strips the visualizer down to pure type. A massive bold elapsed m:ss readout sits bottom-left, a small mono “−m:ss REMAINING” line rides above it, and a thin full-width progress bar tracks the song edge to edge, all set over your cover art, dimmed and scrimmed like a magazine spread. The clock reads your track's real length and position, so 2:47 on screen is 2:47 in the song.
It isn't static, either: the big timecode carries a subtle beat pulse that pops on the kick and eases back gently, so the numbers breathe with the beat without ever turning into a gimmick. Between hits it settles back to a calm, confident readout.
The big elapsed readout scales up a touch on every kick, a quick nudge that eases back and relaxes between hits. Quiet passages read still and composed.
Your cover fills the frame, dimmed to half brightness with a bottom scrim so the white type stays razor-legible on any release. The palette is your record's.
Elapsed, remaining, and the full-width progress bar are all driven by your track's actual length and position: the countdown lands at 0:00 exactly when the song ends.
The studio preview matches the finished video. The pulse and progress you see while editing are what your exported video does.