A clock that feels the kick
The big elapsed readout scales up a touch on every kick drum, with fast attack and slow release, then relaxes between hits. Quiet passages read still and composed.
Your track as an editorial cover: a huge white timecode counting up over your dimmed artwork, with a thin progress line marking every second.
Typographic Time is a music visualizer that strips the visualizer down to pure type. A massive bold elapsed m:ss readout sits bottom-left, a small mono “−m:ss REMAINING” line rides above it, and a thin full-width progress bar tracks the song edge to edge, all set over your cover art, dimmed and scrimmed like a magazine spread. The clock reads your track's real length and position, so 2:47 on screen is 2:47 in the song.
It isn't static, either: the big timecode carries a subtle beat pulse, with quick attack on the kick and slow release, so the numbers breathe with the drums without ever turning into a gimmick. Between hits it settles back to a calm, confident readout.
The big elapsed readout scales up a touch on every kick drum, with fast attack and slow release, then relaxes between hits. Quiet passages read still and composed.
Your cover fills the frame, dimmed to half brightness with a bottom scrim so the white type stays razor-legible on any release. The palette is your record's.
Elapsed, remaining, and the full-width progress bar are all driven by your track's actual length and position: the countdown lands at 0:00 exactly when the song ends.
The studio preview replays the exact per-frame analysis the renderer uses. The pulse and progress you see while editing are what your exported video does.