Sleeve-and-record staging
Your cover art plays the record sleeve, with a photoreal spinning disc emerging from it. The whole scene is built around your release, not decorated with it.
Your cover becomes the sleeve. A photoreal record slides out and spins, riding a warm spectrum that only moves when your music does.
Vinyl is a music visualizer that stages your release like a record on the shelf: the artwork is the sleeve, and a hyper-realistic disc, with grooves, a label, and light catching as it turns, emerges from behind it, spinning at a speed you set in real RPM. Below it, a warm two-tone spectrum breathes with the track, glowing embers under the wax.
The spectrum runs our validated radial-bar reactivity: instant attack on hits, musical decay, a loudness envelope that lifts choruses, and a dedicated kick punch on the low end. At silence the bars settle to zero: nothing fakes motion, and the record's spin is accumulated frame by frame so it never stutters or drifts.
Your cover art plays the record sleeve, with a photoreal spinning disc emerging from it. The whole scene is built around your release, not decorated with it.
Each bar reads its own band with instant attack, kick punch, and a loudness envelope: verses simmer, drops flare, and the bars rest flat when the music stops.
The record turns at a real rotational speed you choose in RPM, accumulated per frame so rotation is silky and identical between preview and export.
The composition re-stages itself for 16:9, 9:16, and 1:1, and the studio preview replays the renderer's exact per-frame analysis, so what you edit is what you export.